DVD 腰封
主标题：谭盾 武侠
副标题：钢琴 小提琴 大提琴 奏鸣曲三重奏

DVD 封面
英文主标题：Tan Dun Martial Arts
英文副标题： Sonatas and Trio for Piano ,Violin and Violoncello

目录
1,卧虎藏龙（大提琴与钢琴奏鸣曲）
Crouching Tiger, Hidden Dragon (Sonata for Violoncello and Piano)
2,英雄 （小提琴与钢琴奏鸣曲）
Hero (Sonata for Violin and Piano)
3,夜宴（钢琴奏鸣曲）
The Banquet (Sonata for Piano)
4,复活（钢琴 小提琴 大提琴三重奏）
The Triple Resurrection (Trio for Piano ,Violin and Violoncello)

我的创作感言

琴心剑胆，大音希声，形断意不断，无声胜有声……武侠和音乐的哲意及美学，遥相呼应，一脉相承。

我创作《武侠三部曲·复活》，是将我作曲的三部武侠电影音乐组合成一部“音乐乐剧”的尝试，分别由小提琴奏鸣曲《英雄》、大提琴奏鸣曲《卧虎藏龙》、钢琴奏鸣曲 《夜宴》及钢琴、小提琴、大提琴三重奏《复活》连续演奏而组成。在原来的三部武侠 电影中，三位女主角为了不同的理由失去了她们的爱情与生命：李安《卧虎藏龙》中的 玉娇龙是为了江湖的梦想；冯小刚《夜宴》中的婉儿是为了复仇与欲望；而张艺谋《英 雄》中的飞雪却是为了爱国与刺秦。我在最初创作这三部武侠电影音乐时，将这三部电影中的三位女主角的音乐形象分别由大提琴（马友友）、钢琴（郎朗）和小提琴（帕尔曼）来诠释。最后，我想象这三个女主角，穿越轮回，又回到了人间再活一次，再爱一回。于是，我将钢琴、小提琴和大提琴组合起来，并让三个乐器（三位女主角）的主题通过复调的写法重叠展现并展开，从远古到现代，成为三重奏《复活》，寓意和表达三种美丽人生与爱情的复活……

这次《武侠三部曲·复活》的尝试是偶然与必然的巧合，也受到瓦格纳《指环》系列音乐乐剧的启发。我非常感谢三位天才的电影导演李安、张艺谋、冯小刚在他们的电影中给了我音乐的灵感，也感谢三位伟大的音乐家马友友、郎朗和帕尔曼和我的倾情合作。最后，我期盼《武侠三部曲·复活》能圆一个年轻音乐家们和音乐爱好者们的“武侠梦”，并为人类的美好未来带来爱和慈悲的启迪。

谭盾

2018 年 1 月 1 日

（注：《武侠三部曲·复活》有两个版本，一个是此处的室内乐版，还有一个是交响协奏曲的乐队版。）

In Composer’s words

“A sword-tough warrior with a tender, melodic heart”…“Silence is the loudest music that conquers all other kinds”… These renowned Chinese expressions passed down over centuries reveal a close relationship between martial arts and music in terms of shared philosophical and aesthetic pursuits.

”The Martial Arts Trilogy · Resurrection” represents my attempt to combine the music I composed for three martial arts films into one ”music drama”: Violin Sonata ”Hero”, Cello Sonata ”Crouching Tiger, Hidden Dragon”, and Piano Sonata ”The Banquet” are played in sequence, culminating in a Piano, Violin, and Cello Trio ”Resurrection”. In the martial arts films, three heroines give up their love and life for respective causes: Jen Yu in Ang Lee’s “Crouching” for idealistic ambition; Empress Wan in Feng Xiaogang’s ”Banquet” for vengeful desire; Flying Snow in Zhang Yimou’s ”Hero” for patriotic mission. When composing for these three martial arts films, I chose to have the three heroines musically represented by cello (Yo-Yo Ma), piano (Lang Lang), and violin (Itzhak Perlman). Some years down the road, I started to imagine these three heroines, through reincarnation, return to the world to live and love again. Hence I reunited the piano, violin, and cello in “Resurrection”, letting the motifs of these three instruments (three heroines) overlap and expand polyphonically in a trio that travels from antiquity to modern times, reviving the life and love of three fascinating protagonists…

The attempt to compose ”The Martial Arts Trilogy · Resurrection” – the concept of which takes inspiration from Wagner’s Ring Cycle – seems at once coincidental yet inevitable. I am deeply grateful to the three ingenious film directors Ang Lee, Zhang Yimou, and Feng Xiaogang for providing me with artistic inspiration; I also extend my gratitude towards the three maestro music artists Yo-Yo Ma, Lang Lang, and Itzhak Perlman for their dedicated collaboration. Last but not the least, I hope many young musicians and classical music fans can live their “martial arts dream” through ”The Martial Arts Trilogy · Resurrection”. May the work inspire love and compassion in mankind for many generations to come.

Tan Dun

January 1st 2018

(Note: There are two versions of “The Martial Arts Trilogy · Resurrection” – a chamber music version featured here as well as an orchestra version of the Symphony Concerto.)

琴心剑胆
——《武侠三部曲》于丹导听

感谢谭盾兄给我这个机会，让我可以站在这里，跟大家分享今天晚上如此精彩的音乐。我想这是不折不扣用“琴心”演绎的一场“剑胆”。琴心是可以铸剑的，能够铸就铮铮百炼钢；琴心也是可以消解剑气的，可以让它化为绵绵的绕指柔。其实中国人一直都有武侠梦，说的千古文人侠客梦，就是所有的文人只不过是“以笔代剑”去写出了一个千古的江湖。中国人的英雄可以用十八般武艺，但是我们想一想：用棍的、用锤的、用刀的、用枪的，有谁在前面冠以“宝”字?那只有“宝剑”。因为大家看，宝剑都是正派人物在用的，它有那样一种担当与正义，也只有干将莫邪这样的人愿意用生命去铸就宝剑。所以，剑背后到底是什么呢?

我们今天看见的几部电影可以说这都是中国一流的大导演，张艺谋导演铸了一口“英雄”的剑；李安导演铸了一口“卧虎藏龙”的剑；冯小刚导演铸了一口“夜宴”的剑。那么我的理解，今天这个现场、这个乐队他们做了什么呢?谭盾兄的音乐是为这几口剑开了锋刃。他让剑上从此开始闪光。剑上有了尊严和光荣；剑上也有了疼痛和悲怆；剑上开始奔走着梦想；剑上也开始流淌寂寞。这几把剑之所以今天光芒万丈，是因为有琴心去演绎它。什么是今天晚上我们可以邂逅的琴心呢?在今天这么一个有限的晚上，我们听见多少不可思议的音乐旋律，有那么多中西乐器完美地结合在一起。在《英雄》里，一把小提琴的主旋律，那样一种华丽、那样一种高贵，走过我们的神经，同时你听见中国古琴的加入，听见日本古乐的和谐。这一切，“谁是英雄的江山，谁是江山的英雄”徐徐地打开在我们眼前了。接下来我们会听见《卧虎藏龙》，我们听见大提琴那种深沉、柔美在它那样一种天鹅绒一样的质地里面又夹杂着有中国江南的丝竹，还有北方的马蹄琴和胡琴，所有中国民乐的乐器不可思议地与西方的乐器糅合在一起，它演绎的就是那些“卧虎藏龙”生命中的不甘，那些无奈和他们的坚持。在《夜宴》里面，大家除了听见钢琴这个主旋律之外，我们还能够听见那么悠久的、几千年流传下来的中国民乐的旋律：我们会听见《越人歌》唱着“今日夕何日兮？搴舟中流；今夕何夕兮？得与 王子同舟。”《越人歌》唱着“山有木兮木有枝，心悦君兮君不知”那也是千古寂寞。所有这些融合，都是今天晚上我们所相遇的为宝剑开了锋刃的琴心。那么当琴心相遇剑胆的时候，它最后的境界又是什么呢？

我们看的这三部电影的情节大家都记忆犹新。这里面没有最后盖世辉煌的英雄，每一个英雄不是因为得到而永恒，恰恰是因为放下。刚才我们看见的英雄“无名”，当他的手最后触到秦王剑柄的时候，他放下了。尽管他的身上有长空、残剑、飞雪这么多人的生命，但是他为了一份更大的爱——叫作“天下”。我们一会儿会看到的大侠李慕白在他功成之时，他说他没有得到的喜悦，反而有一种悲哀。他交出青冥剑想要换一份太平，结果江湖上又惹起旧恨新仇。所以最后他的生命放下的时候，他对他的爱人于秀莲说“我已经浪费了一生”；而得到这把剑，年轻气盛的玉娇龙最后也放下了剑，把她那么年轻的生命投向深谷。他们用放下，用一份大爱换来了天下太平。《夜宴》里面，谁是胜利的人？在那个惨白的面具背后，谁能看清悲欢？王后倒下了、无鸾倒下了、青女倒下了，就连那样一个戾的厉帝也还肯喝下他爱人的一杯毒酒。一切最后都放下了。

这三部电影都有剑，而剑最后，当寒光冷去、一切放下的时候，有什么是永恒的呢？《英雄》里面有“飞雪”和“残剑”的生死之爱、有“无名”的天下之爱；《卧虎藏龙》里面有玉娇龙与罗小虎的爱，有李慕白和于秀莲一生深沉的爱；而在《夜宴》里，我们最后今天的结尾会听见主题歌《我用所有报答爱》：“只为一支歌，血染红了寂寞；只为一个梦，摔碎了江河；只为一颗心，爱到分别才相遇；只为一滴泪，模糊了恩仇”。其实，用全部所有报答爱，这是江湖一切冷却之后唯一留下的。《英雄》里，“残剑”和“无名”曾经探讨过侠客最高的境界——有三重境界需要一一经历：第一重是手中有剑，心中也有剑；第二重是手中已经无剑，但心中还有剑；到第三重是手中无剑时心中也已经无剑。千古英雄的侠客梦，大侠是为了家国使命的担当，当江山老去，风雨还在；英雄老去，剑气还在；当琴心剑胆今天晚上在这里回荡的时候，也许，只有大爱永恒。

谢谢大家。

Bravery from a Melodic Heart

Speech by Yu Dan

I would like to thank my dear friend Tan Dun for this opportunity to be here and share my thoughts with you on such marvelous music we will be hearing tonight. This music, portraying sword-tough bravery, came from a tender, melodic heart. We Chinese have always considered a melodic heart to be so powerful that it can forge or even smash a sword – a philosophy in connection to our nation’s long rooted fascination with martial arts. Even “literary scholars”, known for juggling words than weapons, were believed to be secretly living out their warrior dreams by producing so many martial arts related literature throughout centuries.

Among the 18 major categories of Chinese martial arts weapons, such as “staff”, “hammer”, “saber”, “spear”, etc., none except for “sword” is affixed with the adjective “precious”. This is because sword is commonly associated with warriors of righteous character. This particular kind of weapon is believed to be forged only by artisans of high integrity, and carries with it justice and responsibility. The films we watched tonight are all works from first-rate Chinese directors. Inside these films, the swords of “Hero”, “Crouching Tiger, Hidden Dragon”, and “The Banquet” were forged respectively by Zhang Yimou, Ang Lee, and Feng Xiaogang. How did the film music composed by Tan Dun, performed by the orchestra tonight, enhance these films? Tan’s music injected life into these swords and made them shine with dignity, glory, pain, agony, loneliness, and hope. These swords shined brightly, because they were forged by a tender, melodic heart. Inside Tan’s outstanding music, we found many western and Chinese instruments in perfect mélange. In “Hero”, the beautiful, elegant violin was accompanied by Chinese guqin in Zen-like harmony, depicting landscape grandeur and warrior heroism. In “Crouching”, the deep, velvety cello was joined by Southern Chinese flutes and Northern Chinese strings in a miraculous blend that shed light on the protagonists’ struggle, frustration, and perseverance. In “Banquet”, the piano theme was enriched with Chinese traditional folk melody, narrating love and melancholy as written in ancient Chinese poems thousands of years ago.

All of us recall that the hero of none of these films ended up winning spectacular victory. Instead, they achieved eternity not for what they gained but for what they gave up. In “Hero”, Nameless let go of the opportunity to kill Emperor Qin, even though the latter had claimed the lives of Sky, Broken, and Snow --- in other words, Nameless gave up personal revenge for altruistic love. In “Crouching”, Li Mu Bai felt no joy but sorrow when he obtained supremacy. He even relinquished the possession of Green Destiny sword, hoping for peace. When Li finally sacrificed his life, he said to his lover Yu Shu Lien that “I could have done this earlier”. Likewise, the young Jen let go of the sword in the end and plunged herself into the deep abyss. With altruistic love, both Li and Jen sacrificed their lives for peace. In “Banquet”, when the Empress, Wu Luan, and Qing Nu died one after another, even the vicious Emperor was willing to drink down the poisoned wine offered by his lover. All have learnt to finally let go.

After all these letting go, what remained for eternity at the end of these sword-themed films? Snow and Broken’s lifelong love and Nameless’ altruistic love in “Hero”, Jen and Lo/Mu Bai and Shu Lien’s love in “Crouching”… As the title of the theme song of “Banquet” suggested, “Repay Your Love With My All” was all that remained meaningful in the end. In “Hero”, Broken and Nameless once discussed about the ascending spiritual levels that a true martial arts warrior needs to experience: level 1 -- sword held in hand and heart; level 2 – sword abandoned but remained in heart; level 3 – sword vanished in both hand and heart. True warriors fight not for personal gain but for world peace. They might die in the process, but their legends pass on for centuries. When we hear about them tonight in this music played out by a tender, melodic heart, we will feel the eternity of altruistic love.

Thank you.

武侠三部曲评论：

武侠三部曲是一部音乐的史诗。
-----华盛顿邮报

“ An epic,multimedia production,full of big-screen emotions and unabashed melodrama.”
---Washington Post

本周本台最佳唱片：中国作曲家谭盾的刚柔相济的武侠三部曲。
---WQXR 美国国家公共电台

Q2 Music Album of the Week: The Grit and Grance of Tan Dun’s Martial Arts Trilogy.
----WQXR New York’s Classical Music Radio

这部作品细腻、宏大又原创，有着蓬勃的生命力。
——纽约时报

《武侠三部曲》所蕴藏的普世精神，以崭新的音乐形式，谱出生命力量的伟大交响，这 是谭盾对中西文化的理解，亦借此向中华文化和人文思想的复兴致敬。
——大公报

武侠音乐饱含情感，富于戏剧性，音乐与视觉充满关联并天衣无缝的结合不得不让人心生钦佩。
——澳大利亚人报

谭盾

中国作曲家谭盾对世界当代音乐和艺术产生了不可磨灭的影响。他已赢得当今世界最具影响的艺术大奖，其中包括奥斯卡奖、格莱美奖、美国格文美尔大奖（Grawemeyer Award）、德国巴赫奖、俄国的肖斯塔克维奇大奖、以及意大利威尼斯双年展终身成就金狮奖。他的音乐在世界最重要的交响乐团、歌剧院、艺术节、电台和电视台广泛演播，并担任联合国教科文组织全球亲善大使。

作为中国将指挥和作曲融为一身的国际艺术家，谭盾曾指挥世界著名的马勒室内乐团和日本 NHK 交响乐团访问中国，取得票房和媒体评论的巨大成功。在最新的乐季里，谭盾将指挥欧洲知名的北德广播交响乐团巡演欧洲五个城市，并指挥世界知名的伦敦交响乐团巡演。他还将带领法国里昂国家交响乐团 2019 年巡演法国和中国。他曾指挥世界众多最著名乐团，其中包括：费城交响乐团、荷兰皇家音乐厅乐团、伦敦交响乐团、波士顿交响乐团、洛杉矶爱乐、法国国家交响乐团、BBC 交响乐团、NHK 交响乐团、米兰斯卡拉歌剧院乐团、慕尼黑爱乐、意大利 Santa Cecilia 交响乐团、悉尼、墨尔本交响乐团、美国大都会歌剧院乐团等，并经常指挥中国国内众多的交响乐团，同时还被邀请担任中国国家交响乐团荣誉艺术指导。

谭盾独一无二的艺术声音受到广大国际观众喜爱。他受 Google/YouTube 委约，创作出世界首部互联网交响乐 《英雄》拥有高达二千三百万人次在线欣赏量。他的“有机音乐三部曲”——《水乐》《纸乐》和《垚乐》 经常上演于世界各大音乐厅及艺术节。《纸乐》由洛杉矶爱乐乐团于华特·迪士尼音乐厅落成典礼上首演。他的多媒体代表作品《地图》，由马友友和波士顿交响乐团世界首演后，已于三十余个国家奏响；作品手稿已被纽约卡内基音乐厅世界作曲大师手稿廊永久收藏并展出。他创作了多部颇有世界影响的歌剧作品，其中由多明戈主演的、在纽约大都会歌剧院首演的《秦始皇》，还有在许多国家上演的歌剧《马可波罗》、《茶》，都获得了世界性的成功。他也创作了众多优秀的电影音乐作品，如《武侠三部曲》（李安《卧虎藏龙》，张艺谋《英雄》，冯小刚《夜宴》），分别由音乐传奇人物马友友、郎朗和帕尔曼演奏，开创了电影音乐的新纪元。他的乐队剧场《门》跨域了中国京剧、西方京剧及传统木偶剧的界限、由日本 NHK 交响乐团首演。其他重要的首演包括柏林爱乐乐团首演《十二把大提琴协奏曲：马可•波罗》、由郎朗、Chris Lamb 及纽约爱乐首演钢琴协奏曲《火》。最近几个乐季中，谭盾新作打击乐交响曲《自然之泪》由国际著名打击乐独奏家马丁·格鲁宾格与北德广播交响乐团世界首演；竖琴协奏曲《女书》由美国费城交响乐团、日本 NHK 交响乐团、及荷兰皇家交响乐团共同委约。

作为一名视觉音乐艺术家，谭盾曾在威尼斯双年展举行了中国馆的开幕展，并曾在纽约古根汉博物馆、纽约现代美术馆 MoMA、北京的前波画廊和上海沪申画廊等举行展览。他刚在美国大都会博物馆举行的《色彩交响乐：陶俑》首演，为其中美合作的《秦汉文明》巨展开幕，影响深远。

谭盾更是一位大自然的卫士，用他的创意提高环境意识集保护文化多样性。2010年，谭盾应邀担任中国上海世博会全球文化大使，他为世博创作的环保艺术《水乐堂》及实景昆曲《牡丹亭》已成功演出多年，为中国文化传播获得国内外观众的一致好评。2008 年受国际奥组委委约，谭盾为中国奥运会创作徽标 LOGO 音乐和颁奖音乐。由谭盾指挥的上海迪士尼开幕式全球转播音乐会，获得了六千五百万人的点击量和收视率，刷新了世界音乐会转播记录，取得了世界性的成功。

谭盾毕业于北京中央音乐学院，曾随赵行道、黎英海教授学习作曲，随李华德教授学习指挥。谭盾曾获纽约哥伦比亚大学奖学金赴美留学，随大卫多夫斯基教授和周文中教授学习，并获得美国哥伦比亚大学音乐艺术博士学位；曾担任美国卡内基音乐厅中国顾问委员会荣誉主席，费城交响乐团创意总监，英国 BBC 苏格兰交响乐团驻团作曲家与指挥，及英国伦敦巴比肯艺术中心现代艺术节总监，美国探戈吾德现代音乐节总监，荷兰尼德兰交响乐团终生荣誉指挥。

Tan Dun

The world-renowned artist and UNESCO Global Goodwill Ambassador Tan Dun, has made an indelible mark on the world’s music scene with a creative repertoire that spans the boundaries of classical music, multimedia performance, and Eastern and Western traditions. A winner of today’s most prestigious honors including the Grammy Award, Oscar/Academy Award, Grawemeyer Award, Bach Prize, Shostakovich Award, and most recently Italy’s Golden Lion Award for Lifetime Achievement, Tan Dun’s music has been played throughout the world by leading orchestras, opera houses, international festivals, and on radio and television. This past year, Tan Dun conducted the grand opening celebration of Disneyland Shanghai which was broadcast to a record-breaking audience worldwide.

As a conductor of innovative programs around the world, Tan Dun has led the China tours of the Mahler Chamber Orchestra and Japan’s NHK Symphony Orchestra. His current season includes leading the NDR Radiophilharmonie in a five-city tour in Germany, as well as engagements with the London Symphony Orchestra and at the Venice Biennale. Tan Dun currently serves as the Honorary Artistic Director of the China National Symphony Orchestra. Next season, he will also conduct Orchestre National de Lyon in their tour to China. Tan Dun has led the world’s most esteemed orchestras, including the Royal Concertgebouw Orchestra, London Symphony Orchestra, the Philadelphia Orchestra, Metropolitan Opera Orchestra, Royal Stockholm Philharmonic Orchestra, Los Angeles Philharmonic, Orchestre National de France, BBC Symphony Orchestra, Filarmonica della Scala, Münchner Philharmoniker, the Orchestra dell’Accademia Nazionale di Santa Cecilia, Melbourne Symphony Orchestra, Sydney Symphony Orchestra, among others.

Tan Dun’s individual voice has been heard widely by international audiences. His first Internet Symphony, which was commissioned by Google/YouTube, has reached over 23 million people online. His Organic Music Trilogy of Water, Paper and Ceramic has frequented major concert halls and festivals. Paper Concerto was premiered with the Los Angeles Philharmonic at the opening of the Walt Disney Hall. His multimedia work, The Map, premiered by YoYo Ma and the Boston Symphony Orchestra, has toured more than 30 countries worldwide. Its manuscript has been collected by the Carnegie Hall Composers Gallery. His Orchestral Theatre IV: The Gate was premiered by Japan’s NHK Symphony Orchestra and crosses the cultural boundaries of Peking Opera, Western Opera and puppet theatre traditions. Other important premieres include Four Secret Roads of Marco Polo for the Berlin Philharmonic, Piano Concerto “The Fire” for Lang Lang and the New York Philharmonic. In recent seasons, his percussion concerto, The Tears of Nature, for soloist Martin Grubinger premiered in 2012 with the NDR Symphony Orchestra and Nu Shu: The Secret Songs of Women Symphony for 13 Microfilms, Harp and Orchestra was co-commissioned by The Philadelphia Orchestra, NHK Symphony Orchestra and the Royal Concertgebouw Orchestra Amsterdam.

As a visual artist, Tan Dun’s work has been featured at the opening of the China Pavilion at the 56th Venice Art Biennale. Other solo exhibitions include the New York’s Guggenheim Museum, Museum of Modern Art (MoMA), Beijing’s Chambers Fine Art Gallery, and Shanghai Gallery of Art. Most recently, Tan Dun conducted The Juilliard Orchestra in the world premiere of his Symphony of Colors: Terracotta for the opening of New York’s Metropolitan Museum of Art’s epic exhibition The Age of Empires.

As a global cultural leader, Tan Dun uses his creativity to raise awareness of environmental issues and to protect cultural diversity. In 2010, as “Cultural Ambassador to the World” for the World EXPO Shanghai, Tan Dun envisioned, curated and composed two special site-specific performances that perform year-round and have since become cultural representations of Shanghai: Peony Pavilion, a Chinese opera set in a Ming Dynasty garden and his Water Heavens string quartet which promotes water conservation and environmental awareness. Tan Dun was also commissioned by the International Olympic Committee (IOC) to write the Logo Music and Award Ceremony Music for the Beijing 2008 Olympic Games. Tan Dun currently serves as Honorary Chair of Carnegie Hall’s China Advisory Council, and has previously served as Creative Chair of the 2014 Philadelphia Orchestra China Tour, Associate Composer/Conductor of the BBC Scottish Symphony, and Artistic Director of the Festival Water Crossing Fire held at the Barbican Centre.

Tan Dun records for Sony Classical, Deutsche Grammophon, EMI, Opus Arte and Naxos. His recordings have garnered many accolades, including a Grammy Award (Crouching Tiger, Hidden Dragon) and nomination (The First Emperor; Marco Polo; Pipa Concerto), Japan’s Recording Academy Awards for Best Contemporary Music CD (Water Passion after St. Matthew) and the BBC’s Best Orchestral Album (Death and Fire). Tan Dun’s music is published by G. Schirmer, Inc and represented worldwide by the Music Sales Group of Classical Companies.

For more information on Tan Dun, please visit www.tandun.com.

艾荷茗 （小提琴）

具有挪威音乐传统底蕴的艾荷茗（Eldbjørg Hemsing），在本国从小就家喻户晓，年仅11岁便与挪威卑尔根爱乐乐团合作进行独奏。在维也纳小提琴大师鲍里斯·库什涅（Boris Kuschnir）的精心教导之下，艾荷茗陆续登上了国内外各大舞台，在此过程中，不断地改进其表演风格，专注从贝多芬、德沃夏克（Dvořák）、格里格（Grieg）到谭盾的知名曲目中学习，因此可以演奏多元化的音乐风格。

中国著名作曲家谭盾在2010年上海世博会首次与挪威小提琴家艾荷茗（Eldbjørg Hemsing）合作。艾荷茗联合特隆赫姆交响乐团演奏的谭盾《Love》协奏曲为此次世博会拉开了序幕。在过去的8年中，艾女士还首演《Hero》协奏曲（与MDR莱比锡和荷兰交响乐团），《Triple Resurrection》协奏曲（在莱比锡和上海与上海爱乐乐团），最近也在北京国家大剧院和中国民族管弦乐队首演了《Fire Rituals》协奏曲。《Fire Rituals》协奏曲的首演之所以是一个历史性的时刻，是因为艾女士为第一个与中国民族管弦的西方音乐家。

在与奥斯卡获奖作曲家谭盾进行了 8 年富有成果的合作之后，艾女士将谭盾的最新小提琴曲目《Two Rhapsodies》作为开场演出。在 2018 年 9 月的 Ultima Festival 上，此曲目将在奥斯陆爱乐乐团的演出中由谭盾亲自指挥完成，BIS 唱片公司将对此进行录制。

艾荷茗在Dextra音乐基金会的帮助下，得以使用1754年制作的瓜达尼尼小提琴进行演奏，并且Göhde基金会对艾荷茗长远的艺术发展进行了慷慨的资助。

Eldbjørg Hemsing (Violinist)

A champion of Norway’s rich musical tradition, Eldbjørg Hemsing has been a household name in her native country since childhood and made her solo debut with the Bergen Philharmonic at the age of 11. Studying with Boris Kuschnir in Vienna, she has since carefully positioned herself on both the national and international stage, fine-tuning her performance-style and absorbing repertoire ranging from Beethoven to Dvořák, Grieg to Tan Dun.

Her debut album will be followed in the autumn of 2018 by a recording of Dvořák’s Violin Concerto and Suk’s Fantasy and Love Song with the Antwerp Symphony Orchestra and Alan Buribayev. She is also the subject of an upcoming documentary directed by David Donnelly, focusing on women in the arts. This new venture follows the award winning success of the 2010 NRK film in which Eldbjørg and her sister Ranghild explored the life of Norway’s legendary violinist, Olle Bull.

Upcoming engagements in the 2017 / 18 season include regular performances at the Stormen Concert Hall in Bødo where Eldbjørg is the 2018 Artist in Residence and performances with, amongst others, the Oslo Philharmonic, MDR Radio Symphony Orchestra Leipzig, Arctic Philharmonic and the NWD Philharmonie. She also joined Julien Quentin for a recital tour in Spring 2018 and appeared as a guest at Paavo Järvi’s Pärnu Festival in Estonia.

Eldbjørg Hemsing plays a 1754 G. B. Guadagnini violin on kind loan from the Dextra Musica Foundation. Her long-term artistic development is generously supported by Göhde Foundation.

赵静（大提琴）

赵静是当今国际乐坛中的最具潜力的大提琴家。2005年她获得ARD慕尼黑国际音乐大赛第一名，2009年获得日本埃克森美孚音乐奖。指挥家小泽征尔曾邀请她作为独奏家，与小提琴演奏家瓦吉姆·列宾、钢琴演奏家郎朗以及歌唱家凯瑟琳·芭特尔同台，在北京国家大剧院新年开幕音乐会上演出。她曾和许多知名指挥家一同演出，包括小泽征尔、洛林·马泽尔、里卡多·穆蒂、安德里斯·尼尔森斯、谭盾、尤里·巴什梅特等人。邀请其演出过的乐团包括日本NHK交响乐团、巴伐利亚广播交响乐团、慕尼黑室内乐团、首尔KBS爱乐乐团、北德广播交响乐团、悉尼交响乐团等。同时，赵静作为著名的室内乐演奏家，与她合作过的演奏家有艾曼纽·帕胡德、大信桥本、保罗·梅耶、、埃里克·勒萨热、康士坦丁·列夫席兹等人。她还曾与郑明勋大师一道巡回演出，并被邀请同日本 皇太子德仁亲王一起演奏。

赵静已是该音乐节的常邀嘉宾。她参演的音乐节还包括耶路撒冷音乐节、瑞士卢加诺音乐节、萨格勒布音乐节、伊斯坦布尔国际音乐节等。赵静已经在日本Victor 唱片公司旗下录制了5张CD。她在伦敦与皇家爱乐乐团录制了肖斯塔科维奇《大提琴协奏曲》唱片，于2015年在全球发行。

赵静出生于北京，曾在中央音乐学院附中师从宋涛，随后被日本大提琴家Ryosuke Hori发掘且被邀请到日本东京音乐大学留学，后在柏林的卡拉扬艺术学校和汉斯·埃斯勒音乐学院学习，师从马友友、罗斯特罗波维奇、大卫·格林加斯。

赵静演奏所使用的大提琴是匿名私人基金会为其慷慨提供的1739 年蒙塔尼亚纳（Dominicus Montagnana）大提琴。

Jing Zhao (Cellist)

Jing Zhao, the leading Chinese cellist of her generation, won first prize in the prestigious 2005 ARD International Competition in Munich and went on to receive the 2009 Exxon Mobil Music award in Japan. Conductor Seiji Ozawa chose her as soloist for the 2008 Beijing New Year’s Concert held at the National Centre for the Performing Arts, alongside violinist Vadim Repin, pianist Lang Lang, and soprano Kathleen Battle. Jing Zhao has performed with many distinguished conductors, including Seiji Ozawa, Lorin Maazel, Riccardo Muti, Andris Nelsons, Tan Dun, and Yuri Bashmet. She has also been invited to perform with many renowned orchestras, including NHK Symphony, Bavarian Radio Symphony, Munich Chamber Orchestra, KBS Philharmonic in Seoul, NDR Elbphilharmonie Orchestra, and Sydney Symphony. As a highly sought after chamber music partner, Jing Zhao has collaborated with artists including Emmanuel Pahud, Daishin Kashimoto, Paul Meyer, Eric le Sage, and Konstantin Lifschitz. She also toured in Asia with maestro conductor Myung-Whun Chung and performed alongside Crown Prince Nahurito of Japan.

Jing Zhao has also performed in various festivals including Jerusalem festival, Lugano festival, Zagreb festival, and Istanbul international festival. She recorded five albums for Victor Entertainment Japan, her most recent recording being the Shostakovich Cello Concerto with Royal Philharmonic Orchestra released worldwide in 2015.

Jing Zhao was born in Beijing and studied at the Central Conservatory of Music in Beijing with Song Tao. She was then discovered and invited by cellist Ryosuke Hori for further studies at Tokyo College of Music. She also received training at Karajan Academy and Hanns-Eisler Hochschule fur Musik, as well as private lessons with Yo-Yo Ma and Mstislav Rostropovich.

Jing Zhao plays a 1739 Dominicus Montagnana cello on generous loan from a private foundation.

白玲娜·斯特恩·巴泽维斯卡（钢琴）

白玲娜·斯特恩·巴泽维斯卡被“美国唱片指南”协会评为世界级的演奏家。《棕榈滩艺术报》这样评价她：巴泽维斯卡拥有的浓厚的音乐底蕴，教育的激情以及与生俱来 的演讲才能，让她的观众从她各类音乐会演出里感受到“巴泽维斯卡式的启发”。她被华盛顿邮报称赞为“演绎传神，技巧完美无缺”。

巴泽维斯卡出生于波兰，作为钢琴家、羽管键琴、教育家、唱片艺术家和制片人， 她的表演生涯丰富多彩。巴泽维斯卡师从钢琴演奏大师 Constance Keene，在曼哈顿音乐学院获得音乐艺术博士学位。她曾与不少著名乐团合作过，包括旧金山交响乐团，中国交响乐团，澳门交响乐团。她曾在音乐大师谭盾的指挥下，同著名小提琴家约夏贝尔一起演出。巴泽维斯卡已在全世界诸多著名音乐厅演出过，包括纽约卡内基音乐厅，旧金山戴维斯交响音乐厅，中国国家大剧院，深圳保利剧院，巴黎科尔托音乐厅等。

巴泽维斯卡在国际上获奖获得过无数奖项 ，包括“Kosciuszko 基金会”举办的国际肖邦钢琴大赛、多萝西麦肯基大奖、法国枫丹白露美国美术学校的钢琴大奖、巴黎欧美音乐联盟大奖等。

她的首张专辑“献给格伦·古尔德”被美国唱片指南评选为“一张无与伦比的录音”，《留声机》杂志也评价此专辑“熟悉而完美的旋律”。她的第二张专辑“音乐的梦想”，目的在于帮助那些失眠的人群。

作为教育家而活跃着的巴泽维斯卡，曾执教过很多钢琴大师班，包括中央音乐学院、内蒙古呼和浩特草原国际音乐节、国际键盘协会和纽约钢琴艺术节等。目前，她在哥伦比亚大学以及意大利瓦雷泽的欧洲学院任全职教授。

Magdalena Stern-Baczewska（Pianist）

Born in Poland, Magdalena Stern-Baczewska has enjoyed a multi-faceted career as a pianist, harpsichordist, educator, recording artist, producer, and an administrator, currently serving as Director of the Music Performance Program and Lecturer in Music at Columbia University. She has performed with the San Francisco Symphony, China National Symphony, and Macao Symphony, among others. She has appeared in concert with maestro Tan Dun, as well as violinist Joshua Bell, and performed throughout Europe, China, and the US, appearing in Carnegie Hall (NYC), Davies Symphony Hall (San Francisco), National Center for Performing Arts (Beijing), Guangzhou Opera House (Guangzhou), Shenzhen Polytheater (Shenzhen), and Salle Cortot (Paris), among others.

Praised by the Washington Post as “eloquent & technically flawless”, Magdalena is a laureate of international piano competitions (Chopin Competition at the Kosciuszko Foundation, Dorothy McKenzie Recognition Award, Prix du piano Ecoles d’Art Américaines Fontainebleau, Grand prix European American Music Alliance Paris), as well as the Outstanding Achievement Award from the Polish Minister of Culture.

An avid educator, Magdalena has given piano master classes in the Central Conservatory (Beijing, China), Grassland International Music Festival (Hohhot, Inner Mongolia); International Keyboard Institute and Festival (NYC); New York Piano Festival (NYC). She is a full-time faculty member of Columbia University and professor at Accademia Europea Villa Bossi in Varese, Italy.

水乐堂

水从河上流到屋里，观众围坐的一池水面，那就是“水乐堂”。 在江南古镇的老宅里，你听到，天顶上的一滴水引出禅声与巴赫；你看到，水摇滚 与弦乐四重奏的撞击，还有琵琶的轮音与人声的吟唱……

在水乐堂里，音乐是看得见的，而建筑也是可以演奏的乐器。

水乐堂：由日本矶崎新工作室和谭盾设计，面对彼岸古老的圆津寺庙。观众厅设上下二层，弧形屋顶最有效地增加了声音效果，一面水池是舞台亦是观众席，极简的建筑设计为音乐和视觉留出无限空间，而老宅外貌依旧保留着水乡民居的原始风貌。

Water Heavens

A stream of water flows into the hall forming a pool. The pool of water is surrounded by the audience and from it emerges the stage of Water Heavens. In this ancient house, a drop of water falls through the oculus from high above and up rises the music dialogue between Zen and Bach. Water Rock and Roll dances with a string quartet and pipa joins together with Buddhist chanting.

In Water Heavens, music can be seen and architecture can be heard. Water Heavens is situated on the riverbank opposite an ancient Buddhist Temple. The world-renowned Japanese architects of Isozaki Studio, in conjunction with composer Tan Dun, designed Water Heavens. The performance hall is two stories high with a uniquely domed roof.

Both the structural pillars and the metal floor can be played as a musical instrument. The center pool can be used not only as a stage, but also as a seating area for the audience. Though the structure contains many unique functions, the architectural appearance still incorporates the ancient style of the water town.

TAN DUN Martial Arts

——Sonatas and Trio for Piano ,Violin and Violoncello

谭盾 武侠

——钢琴、小提琴、大提琴奏鸣曲三重奏

CONDUCTOR Tan Dun

指挥 谭盾

PIANO Magdalena Stern-Baczewska

钢琴 白铃娜

VIOLIN Eldbjørg Hemsing

小提琴 艾荷茗

VIOLONCELLO Zhao Jing

大提琴 赵静

PRODUCERS

联合制作

谭盾，上海听音寻路文化交流有限公司

TV PRODUCER/DIRECTOR Tan Dun

电视制作/导演 谭盾

CAMERA Xu Li

摄像 徐立

LIGHTING DESIGNER

灯光 何逸伦

EDITOR

剪接/色彩合成 刘满意

RECORDING ENGINEERS/ MIXING ENGINEERS

实况录音/音响合成 上海三友音乐制作有限公司

DOCUMENTARY FILM

纪录片

PRODUCERS Tan Dun

制作人 谭盾

PRODUCTION

制作 上海听音寻路文化交流有限公司

CAMERA/SOUND Chen Xi

摄像/声音录制 陈曦

EDITORS

剪接/色彩合成 张子彦

DVD PRODUCTION

DVD 制作

Shanghai TingYinXunLu Culture Exchange Co. Ltd

上海听音寻路文化交流有限公司

PRODUCTION MANAGERS Huang Xiaojie、Kaitlin

制作经理 黄晓洁、凯特琳

PRODUCTION TEAM Liu Dong、Chen Xianxian、Liang Yao

制作团队 刘冬、陈弦弦、梁耀

DVD MASTERING AND EDITING

DVD 母版制作/编辑 (待定)

GRAPHIC DESIGN

平面设计 杨松

COVER PHOTOS

封面摄影 (待定)VENUE SUPPLY Water Heavens

场地提供 水乐堂

SPECIAL TANKS

特别鸣谢

Yu Dan、Ming Min、Wang Shi Huan、Yu Fujun、Wu Tiande、Guan Yueping 于丹、明敏、王世桓、于福军、吴天德、管月平 People’s Government of Zhujiajue Town, Qingpu District 青浦区朱家角镇人民政府

MUSIC PUBLISHER

音乐出版

Shanghai Music Publishing House

上海音乐出版社